Creating Nature’s Quilts

Creative, Creative nature - textures and natural abstracts, Projects

I’ve built up a collection of photos of natural textures and nature macros over the years, and after looking at some amazing quilt work created by family and friends, it occurred to me to create photographic ‘quilts’ using some of these textures. I wanted to create the images using Lightroom’s Print module, but it limits you to square or rectangular images, so I had to be a bit creative with my solution. I first created a template in Photoshop, using a standard quilt pattern, and then filling in parts of the template, while making other parts transparent. I could then use this template in the print module of Lightroom, overlaid on a photo cell template I created to match up with the quilt pattern. I could then drag my texture photographs into the pattern to create my quilt… not the simplest of processes, but it worked!

I used photos I’d made using my lightbox of peacock feathers, shells and polished mineral stones, as well as photos made in the Highlands of lichens on rocks and mosses, and on Islay of the amazing rocks in Saligo Bay, and lastly some bark textures from the Yorkshire Arboretum.

Scenes within a scene

Creative, landscape, Nature, plants, Projects, Scenes within a scene, Uncategorised, wildlife

This is a project I started after hearing several speakers talking about people taking a quick photo of a scene and then just moving on to the next big view, without taking the time to enjoy the smaller details, wildlife, colours and abstracts within that bigger picture. If anything I tend to be the opposite way round, enjoying the wildlife and details of nature, and taking fewer big landscapes, but it made me think of a project idea, so in these photos I’ve taken a landscape view, and then shown the details within my bigger scene – scenes within scenes. My aim was to take all the photos within 100m (a distance I can usually manage even on crutches) of my bigger ‘landscape’ picture to show why it’s worth slowing down and enjoying these beautiful places.

Since starting this project I’ve found I observe more details of the ecosystems I visit. When slowing down to look for photographic subjects we are more likely to notice the smaller flowers and insects like the butterflies and beetle in the spring North Yorkshire Moors image. I stopped because I saw one butterfly, then noticed a green tiger beetle, then another butterfly and so on! When we slow down we also tend to notice more macro details and abstract images, like the water abstracts in Dalby Forest, and also take more time to try more creative views of nature like the ICM and multiple exposure images in Broxa forest in autumn. Limiting ourselves to photographing in a smaller area, rather than rushing on to the next big view, we have had chance encounters with wildlife like the geese flying across Cow Green reservoir, reflected in the still water (the only time I’ve ever seen it that still and reflective).

Having taken my images, I create the composite images in Lightroom’s Print module, using a variety of user templates. I try to match or balance colour themes in my images and balance the subjects to create the most pleasing compositions, and then print to file to create my finished image.

North Yorks Moors in Summer – scenes within a scene
Skipwith Hall Gardens – Kitchen garden – scenes within a scene
Skipwith Hall Gardens – Scenes within a scene
Skipwith Hall Gardens – Scenes within a scene
Wolds in winter – Scenes within a scene
North Pennines – scenes within a scene – road between Teesdale and Weardale
Upper Teesdale in Spring – Scenes within a scene
Upper Teesdale – Scenes within a scene
North Yorks Moors – scenes within a scene
Broxa forest in autumn – Scenes within a scene
Cow Green reservoir – Scenes within a scene project
Pocklington canal Scenes within a scene project
Dalby Forest Lake – Scenes within a scene
Stone creek – Scenes within a scene
Broxa Forest – Scenes within a scene
Yorkshire Dales – scenes within a scene
Flower meadow – scenes within a scene
Worsendale – scene within a scene
Coverdale – Scenes within a scene
Allerthorpe common in winter – scenes within a scene

Spring on the Moorland – ‘Through the year’ project

Creative, Nature, plants, Projects, Through the year project, wildlife, Yorkshire

I’ve been working on various projects over the last few months, including themed photographs, and more creative photography ideas.

This is part of a large ongoing project to photograph the habitats I regularly visit in Yorkshire, and a few surrounding counties, to show the flora and fauna found in these ecosystems throughout the year. These include farmland, meadows, riverbanks, moorland, woodland, and coastal cliffs.

These are a few of the photos I’ve taken from moorland days out:

I also love working with backlighting and have been experimenting with taking multiple exposure photos:

I loved silhouetting this skylark against the sunlit sky as it rose up above me, but also tried combining several photos in a multiple exposure shot against the light, which shows the beautiful feathers, and the movement of the bird:

This is a multiple exposure of the cottongrass, blowing in the wind, and again backlit by the low sun. Below is a backlit photo of a snipe, taken early morning on the North Yorkshire Moors.

A fascination with reflections

Creative, Nature, wildlife

Photographing a goosander yesterday, I was fascinated by the colours and patterns reflected in the water around the bird. The bird itself was beautiful to see, but the varying reflections meant that I could create a huge variety of different images. In some the picture is about the goosander, but in others the story is more about the abstract patterns the reflections created.

Fireworks

Creative, Yorkshire

I took some photos at a local fireworks display and then had a think about how I wanted to use them. I finally decided on this mosaic abstract using 9 different photos assembled in Lightroom

Autumn woodland – ‘ Through the year’ project

Creative, landscape, Nature, Places and travel, Projects, Through the year project, Yorkshire

A more creative approach to nature photography

Creative, Nature

I love watching wildlife and capturing an animal or bird’s behaviour or character in my wildlife portraits, but some of my more recent projects have been aimed at capturing more of the spirit and beauty of nature in more creative ways. This is very much a work in progress, and rather than one particular style or technique, I’ve tried a variety of styles and techniques, as I think what is needed to bring out its essence and character is, to some extent, dependent upon the animal, bird or environment concerned.

For example, when photographing terns in the Farne islands, I wanted to convey something of the balletic elegance of their flight, and so aimed for a high key approach with the sun shining through the feathers to give a more ethereal quality, combined with a slower shutter speed to allow some movement blur.

When watching bullfinches feeding in a snowstorm in Scotland, the white background and bright colour palette of the bullfinch plumage reminded me of Chinese bird and flower brush paintings, and this concept certainly influenced how I approached the subject. With the snow helping to create a minimalistic background, I exposed the image to brighten this further, used a slower shutter speed to capture some movement blur, like rough brush strokes, in the bullfinch’s fluttering wing, and aimed to keep the image simple and painterly in my processing.

Sometimes the animal’s habitat is what makes the scene interesting, in which case I aim to use composition and processing to bring out interesting patterns or textures. An example is the long-eared owl in woodland, where I wanted to emphasise the patterns formed by the branches, against a subdued colour palette caused by an earlier snowfall, with the owl being merely a part of the beautiful woodland scene.

Equally I loved the amazing curves and shapes of the eroded cliffs on Noss, Shetland, where the texture and pattern of the cliffs make the picture, as much as the gannet perched on his ledge (see also at the top).

Sometimes the story is about the relationship of the animal to its environment. I photographed this stag roaring on a mountainside in Ardnamurchan. The roaring of stags carried for miles, and was the only sound other than the wind in the remote glen where we stood looking up at the mountainside to spot the source of the noise. When photographing him I wanted to show something of the size and space of his remote habitat, so I waited until he moved towards another stag and stepped out onto the crest of the ridge, so that I could silhouette him as a very small, but still recognisable shape against the colourful sky.

I have also worked on a series of photos of water birds where the colours reflected in the water are a key element of the picture. These great-crested grebes are probably my favourites of these images. I love the colours and patterns of the reflections and ripples on the water.

Most recently I managed to take a series of photos of swans in a style I had wanted to achieve for some time. I sometimes like to use a dramatic lighting style (chiaroscuro style lighting) in my monochrome photos, and had pre-visualised photographing swans in a very high contrast style, with the light shining through, and on, the swan’s white feathers, creating an ethereal effect, as with the tern.

Hopefully these photos capture more than just a record shot of wildlife, though they don’t always seem to go down well with judges, but, as we’re always being told, we should take the photos we want to take, and these are definitely the photos that I enjoy making the most, so it’s an area I want to keep developing and progressing – watch this space!